JACK'S BLOG
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12/27/2012 2 Comments Could a man who lost his wife find a new life with his son on a football field?Good ReadBert Carson - Huntsville, Alabama, USA - is a Vietnam Veteran who writes stories about men and women who speak the truth and do the right thing. What is the one book you want us to read (title, genre, and availability). I’ve published four books on the Kindle/Amazon platform, and self-published another. The one I’m focused on today is Fourth and Forever. Genre is difficult to pinpoint – it has shown up as Men’s fiction, though women love it equally well. Originally I called it mainstream fiction, though I’m no longer sure there is a stream running through the main body of readers. Most recently it has been mentioned as a boomer book. If I were forced to put it in a single genre, it would be inspirational fiction or maybe just, a good read for everyone, though I’m pretty sure that isn’t a category. The short answer is, Fourth and Forever falls into a number of categories and doesn’t fit into anyone of them. Fourth and Forever is available as a Kindle book or a paperback, both from amazon.com. Give us a one sentence synopsis. Fourth and Forever is the story of a man who lost his wife, thought that meant he had lost everything, then discovered that wasn’t true, and built a new life based on his relationship with his son. Who are the main characters and who would you like to see portray them in a movie? The main characters are Josh Edwards, a 44 year old Vietnam Vet, and his 18 year old son Bobby. I wrote the first draft more than twenty years ago. In that time, my choice to play Josh has changed a number of times, as actors, like books, age. Today, I think I’d opt for either Matthew McConaughey (43) or Josh Brolin (44) to play Josh. I should note that Denzel Washington, George Clooney, and Kevin Spacey have all been serious contenders for the role, then they turned 50. I don’t have a choice to play Bobby, since I don’t know any 18 year old male actors. That is probably a product of my being 70 years old. Tell us about the story, but please don't reveal too much. I unintentionally created a marketing obstacle for the book when I titled it Fourth and Forever, which implies that it’s a book about football. It isn’t. The book is about relationships, compassion and love. It also includes a lot of first-hand knowledge about Post Traumatic Stress Disorder; what it is, who is affected by it, and how to deal with it. All of that is there, strung on the framework of a story about a man who retires from the Army and joins his son as a freshman at the University of Montana. Of course, the fact that the man, Josh Edwards, becomes the starting quarterback for the University of Montana Grizzlies probably has a lot to do with people’s idea that it’s a football book. What inspired you to write this book and how long did it take? From 1985 through 1995, I was a professional speaker, a trade I plied in 48 states, Canada, Mexico, the Caribbean, and tough it was, Tahiti. On my first trip to Missoula, Montana, in November 1987, I left my hotel for an early morning run. I crossed a footbridge and found myself on the campus of The University of Montana just as the first snowfall of the season arrived. I stopped on the edge of the football practice field and stood a long time in the early Sunday morning silence, as the snow quickly covered the ground. In those magic moments, at age 45, it came to me that I could play football on that field. Instantly the whole story, with the exception of the parts about PTSD sprang into my mind. I wrote the first draft, between speaking engagements. It took less than a month to make it presentable. But, it was too short to be a novel, so I stuck it in a desk drawer. Then in 1993, I organized a group of Vietnam Veterans – Vietnam Veterans Southern Command. The experiences that came from Vietnam Veterans Southern Command gave me the material I needed to finish the book. What other books have you written?
Other books I’ve published on the amazon platform are,Another Place Another Time, Maddog and Miss Kitty, and Southern Investigation. Which authors inspired you, your style? There is only one. Before I tell who it is, I should note that I’m only considering author’s with a body of work, not one or two books. By that method of reckoning, I must exclude To Kill a Mockingbird, Gone With the Wind, and a number of other single book authors that I love. However, in all honesty, the one I’m about to mention overshadows them all, as far as I’m concerned. His name is Nevil Shute – actually that’s his pen name. His “real name” is Nevil Shute Norway. He used the pen name to protect his engineering career, since, in the beginning, he wrote only to pass the time after a long work day. Shute wrote twenty-two novels and a play. I read him continuously and learn more with every re-reading of his work. My favorite Shute book is Round the Bend, followed closely by Trustee from the Toolroom, and then whatever I’m currently reading, which, today is So Disdained. Where can we learn more about you and your books? I have an Authors Page on Amazon, and three active blog sites: http://bertcarsonauthor.com/ , http://www.bert-blogging.com/ and http://anotherplace-thebook.blogspot.com/ - and one other website that isn’t active, but still has a lot of good content http://bertcarson.com/ How can we follow you? Twitter, Facebook, Google+, etc. All of my social media links are here http://bertcarsonauthor.com/ scroll down the page and you’ll find them near the bottom of the right side column Is there anything else you would like us to know? I’m in the process of working through the final edit of the sequel to Southern Investigation called Southern Investigation-Tucson. I’m also writing a three volume series called The Mystic Trilogy – the first book in the series is The Sages. It’s being serialized and published in episodes by Venture Galleries – The tenth episode was just posted – click here to read it.
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Good ReadLissa Bryan has explored in her imagination, the horrors of catastrophic change. The following is a brief interview with her about her new book, The End of All Things, soon to be released.
Good ReadThis is a special offer for authors only. (Non-authors may skip to the interview below.) I will post a brief interview featuring your latest publication if you'll agree to publish mine (see below) on your website/weblog. Just leave me a message using my Contact the Author form, including your email address so I can send you the interview questions (in case you didn't notice them below) as well as instructions for sending them to me. If you don't hear back within 24 hours, try again and make sure you provide the correct email address. I can't promise any benefit other than exposure. More than 33,000 visits come to this website/weblog every month. The first author to take me up on this offer received more than 1,000 page views in the first 72 hours.
Good ReadA brief interview with David Welch, author of Stop The Insanity: Target 2014.
Good ReadMeet the author of Mists of Adriana, Roger M. Woodbury
Good ReadLior Samson, author of Chipset, answers your questions in this brief interview. 1. What is the one book you want us to read (title, genre, and availability).
Chipset (Gesher Press, 2012), a techno-thriller in The Homeland Connection series, just published and available in print (ISBN: 978-0-9843772-8-2) and Kindle (ISBN: 978-0-9843772-9-9) editions from Amazon and elsewhere. 2. Give us a one sentence synopsis. Madeira, a charming and picturesque Portuguese island, proves dangerous when a technology journalist uncovers a mystery in the military chipset he is delivering to the Madeira Intelligent Robotics Institute. 3. Who are the main characters and who would you like to see portray them in a movie? The Homeland Connection novels share a number of characters in common, but the two central ones are Karl Lustig, an American ex-pat consultant and journalist living in Israel, and his British-born Israeli wife, Shira Markham, an artist and major force of nature. I am no casting director, but I could see William H. Macy playing Karl and Rachel Weisz as Shira. 4. Tell us about the story, but please don't reveal too much. Like the other novels in The Homeland Connection, Chipset is a meticulously researched action thriller centering on genuine technological threats involving ordinary people facing extraordinary challenges. Like the novel that launched the series, Bashert (Gesher Press, 2010), the narrative is non-linear, in this case plunging the reader back to World War II in a story-within-a-story that is intricately connected with the present circumstances and the fate of the main characters. As with the other Homeland Connection books, Chipset stands on its own or can be enjoyed as part of the series. 5. What inspired you to write this book and how long did it take? I was inspired by my experience with real-world cyber-security threats, as was the case with Web Games (Gesher Press, 2010), an earlier novel in the series. There were also lurking personal secrets of my characters that begged to be brought to the surface. In this novel, Shira and her intelligence-agent friend, Anat Dorfman, get the opportunity to take over the stage, something that I had long planned. I made my first notes for the book in December 2011, but didn’t start writing in earnest until March of 2012. The manuscript was finished in September but it took several months to get and incorporate feedback from a number of reviewers and subject-matter experts. 6. What other books have you written? In addition to the four books of The Homeland Connection (Bashert, The Dome,, Web Games, and Chipset) my fiction includes the somewhat noir medically-centered thriller, The Rosen Singularity(Gesher Press, 2011) and Requisite Variety (Gesher Press, 2011), a collection of science fiction short stories. I also have seventeen published non-fiction books, including one award winner. 7. Which authors inspired you, your style? I have been inspired by many writers, starting with the inimitable Ursula Le Guin, but I can’t say that my style has been inspired or influenced all that much by any particular writers. That said, several reviewers have compared me to John Le Carré, and one writer has said I am better than Tom Clancy. Whether true or untrue, deserved or not, I am flattered by the company into which I have been cast. 8. Where can we learn more about you and your books? My Amazon author page (http://amazon.com/author/liorsamson/) is as good as any place to start. 9. How can we follow you? Twitter, Facebook, Google+, etc. I am on Facebook under my pen name, Lior Samson. 10. Is there anything else you would like us to know? There are more novels coming in The Homeland Connection, but my current work-in-progress, like The Rosen Singularity, is another excursion into uncharted territory. 12/9/2012 2 Comments Are you anxiously awaiting the release of The Hobbit? There's another fantasy that should be filmedGood ReadAS WE EAGERLY AWAIT the release of the first of three films based on Tolkien's classic The Hobbit, I am reminded of another tale of fantasy that Tolkien himself admired, The Worm Ouroboros. Strange as it may seem, my anticipation of seeing The Hobbit has inspired me to reread this other fantasy. The Worm Ouroboros was written by Eric Rücker Eddison, a British civil servant. Now, before you snigger, civil service in Britain during the late nineteenth and early twentieth centuries was a gentleman's craft. They are employees of the Crown and do not hold a political office. American civil servants are more akin to British public servants. Eddison was born into a world of privilege and well educated by tutors before entering Eton and Trinity College, Oxford. Eddison was greatly influenced by the classics of Homer, Sappho, Shakespeare, and Webster as well as Norse sagas and French medieval lyric literature. He borrowed fragments from these works unashamedly. The Worm Ouroboros is an epic tale of heroes and villains bound up in monumental battles in a fanciful world. The worm is a dragon. The scene in which it is conjured is the finest one of its type that I have ever read. You should be left gasping for breath by its end. The story begins with a curious scene that reveals the narrator at home in England. Disturbed by signs and portents, he retires to a solarium in private while his wife retires to their bedchamber. Alone he is startled awake or deeper into a dream, by a martlet that escorts him via magical carriage to another land, maybe another world. We're not sure which and we never learn. The narrator never again appears in the story as other than a disembodied observer of the characters and their struggles, triumphs, and defeats. Critics have speculated on this opening. Most complain that it is unnecessary. I am more forgiving. My library, long since destroyed by my first wife, contained a textbook on mythology published in 1814. It began with a lengthy prologue apologizing for it. The author seemed to fear divine retribution for putting such blasphemous words to paper. He assured readers that there was but one true God and that Jesus was his Son. He went on to explain that he wrote the tome only to provide students of literature with these mythological references that they might encounter while reading early literature. He begged God's and the reader's forgiveness, and assured everyone that he did not believe in these pagan things. I suppose that Eddison was doing something of the like in distancing himself from what might be mistaken for pagan sagas. The Worm Ouroboros should appeal to anyone who has read and enjoyed Tolkien's The Hobbit and The Lord of the Rings. As I mentioned, Tolkien himself was a fan. If anything, Eddison's villains are more vivid than Tolkien's.
One last note. Don't skip to the end. Stifle the urge. It is a treat, an unexpected treat. Eddison ended his tale with the most startling twist that I have ever read, and I've read a great many books in almost seventy years. Good ReadI WAS TOLD that a man with one foot embedded in a block of ice and the other in the furnace is, on average, comfortable. (Stop! Don't do it. That's not the challenge.) Then I studied statistics. Thank God, I learned better before I attempted to test that theory. The truth is that people, especially politicians and other shysters, love to use averages to sell something. In the final analysis, averages are nothing more than curiosities. Take, for example, the fact that the average lifespan of an American male is 78.6 years. Of course, by the time you attain that age, the average may have changed. I know. You don't have to remind me. There are random acts that result in violent death long before a person attains their full span of years. I've known many of those. Two close acquaintances have been murdered. Several died in Vietnam. A neighborhood girl drowned in the Chesapeake Bay when we were about ten or eleven. I've been lucky. I've survived boating and automobile accidents, Vietnam, and other assorted perils. I am now just shy of seventy. Does that mean that I have less than a decade to survive on the bright side of the grass? Probably not. Members of my family tend to live well into their eighties, some longer. Please ignore my mother. She died at age fifty-two. I remember well the mourners commenting how sad it was that she died so young. Young? She was fifty-two. That looked old to me until I passed fifty-two. It was cancer that took her. How random is that? Was it in her genetic coding or was it just a toss of the dice? In any event, I'm putting her early death aside as a statistical artifact and looking forward to another two decades. Maybe more. Doctors are working miracles these days, aren't they? Have I depressed you yet? Okay, let's get to the challenge. Are you prepared to defend yourself? Your right to continue living? I'm guessing that you are sitting alone in a room somewhere, planted in front of a computer. You're probably alone in the room. It's okay if someone else is there with you. Actually, that will make the challenge more interesting. A small aircraft carrying the pilot and three passengers has plummeted and crashed through the roof. Everyone on board is injured as are you and anyone with you. The Grim Reaper arrives and announces that he has a quota to fill. He must take three lives. It's immaterial to him as to which three he will reap. He gives each of you an opportunity to defend yourselves, to explain why your live is more worthy of continuing. What will you say? Quickly now. He's a busy reaper. Gary Kay envisioned this scenario in his novel, Don't Fear The Reaper. In Gary's tale a tourist-filled bus crashes on a Greek island and balances atop a cliff. The Grim Reaper arrives with a quota of just 16 to fill. Who will he take? Why does he choose one person over another? How will the potential survivors defend themselves? How will they react if the Reaper offers them a choice: their life or that of a loved one?
Don't Fear the Reaper is a good story well told. The manuscript is free of typos and grammatical errors. There are heroes to cheer and villains to jeer. The Grim Reaper himself, and his family, are a delightful crew of mystery and mayhem. Yes, I recommend this book highly. Good ReadsJUST ABOUT THE TIME you have life figured out, it changes. Birth. Puberty. Emancipation. (No proclamation required. We all go through it or stay forever tied to mom's apron strings.) Embark on a career. (You'll probably go through about three of those. I made it through six – no, seven.) Marriage. (Most of us.) Divorce. (Too many of us.) Parenthood. (More of us.) Retirement. (Looking more distant, isn't it?) Senility. (Better than Alzheimer's Disease.) Death. Damn, it just isn't fair. It just keeps changing. Change. It's not easy. There you are, all warm and safe in your mother's womb and suddenly, you're evicted. Someone smacks you on the bottom. It's cold. Truthfully, that's about the easiest transformation you'll experience. Trust me, I know. I just made it past retirement, just in time. There's a rather large gang following me. I was born during World War II. The Post-War Baby Boomers have been chasing me ever since. A friend of mine, Claude Nougat had the bright idea of writing books just for them. Interestingly, the young adult genre pretty much came into existence while they were adolescents. Why shouldn't more mature books begin as they come of “that” age. (You don't know what “that” age is? Maybe I'll address it in another blog posting.) Claude wrote a novel about a baby boomer struggling with retirement. What? You thought that retirement was going to be easy. Have you looked at your IRA lately? Actually, that's the least of your problems. Remember growing up? Making career decisions? If you think that was hard, wait until you have to decide what you're going to do with your life once you retire. You don't have the energy you had when you were beginning a career. You don't adapt to change as easily. Some of us are lucky. We have a talent that we've been waiting to pursue. Remember the old adage: “To a businessman, time is money”? Well, there's a corollary: “To an artist, money is time”. Money is what allows every artists to pursue their muse. Now, unless you have a commission from the Pope or some ducal prince, you're going to need a retirement income to be an artist. (Sorry, garrets in Paris aren't as cheap as they once were. Watch an episode or two of House Hunters International and you'll see what I mean.) If you're lucky enough to have a retirement income that provides a living, you too can be an artist, like Claude and I. Claude exposes the life in her book, A Hook in the Sky. Fundamentally, it is the story of a man coping with retirement. He casts about for a new direction, a new purpose in his life as he retires from a demanding career working at the United Nations. He discovers that his home and marriage, long neglected as he traveled the world on special assignments, have fallen into disarray. Surprisingly, the author, a woman, demonstrates a better grasp of male characters and their motivations that I expected. I only wish that I handled female characters as well in my own stories. Let's get the basics out of the way first. A Hook in the Sky is well-written. The story is well-told. It's also well-edited. You won't be distracted with a lot of typos and grammatical errors. It's a very polished manuscript.
The author understands the milieu: art and artists in present day Europe. In fact, if you are an artist or an art lover, you probably will be thrilled with this story. You might even learn something as you read it. If you are neither, don't worry. Most of us can appreciate specialized genres of books without understanding the specialized knowledge that the author brings to them. The characters in A Hook in the Sky are three-dimensional. The principal protagonist is likable despite his human frailties and fumbling. Stick with him to the end. You'll be rewarded for the effort. Ultimately, this is a very mature novel. There is nothing frivolous about it which is why it needs the right audience. Rest assured, if you enjoy the sample, you will not be disappointed in reading all of it. Opinion/Good ReadJames Suroweiki makes a brilliant case for The Wisdom of Crowds. He opens his book with the tale of a scientist wandering the English countryside until he comes upon a county fair where a bull is being raffled. The prize goes to the person who most accurately guesses the dressed out weight of the animal. Not how much it weighs on the hoof, but rather how much meat will it produce after it is butchered. Well, the good folk pay their money, record their guesses on lottery strips, and the winner is announced after the bull is butchered. The scientist asks for and receives all the lottery tickets. They aren't of any good use to anyone else any more. Upon analysis he discovers an interesting fact: The average of all guesses is closer to the actual weight than the guess than won the prize. In other words, the sum of expertise (or rather, experience) of all those people – including butchers, bakers, and candlestick makers as well as tinkers, tailors, soldiers, and spies – is greater than the most expert among them. The remainder of Suroweiki's book goes on to examine this hypothesis in greater detail. He includes other examples and scientific proofs that seem to convince us that it's true. If we are smarter as a group than any individual, why isn't our country working? We're a democracy, aren't we? Well, no, actually, we aren't. We're a representative republic. We just happen to elect our representative's democratically, and we don't seem to be doing a very good job of it. I better digress a moment. You may not agree with my assertions that the country isn't working and that we don't elect good representatives. Okay, let's examine that. We have accumulated debt well beyond our ability to repay. The non-partisan Congressional Budget Office concurs. They postulate that the United States won't even have an economy within approximately twenty years and Congress has not even attempted to address this issue. They have failed in their most basic duty, to pass a budget, for the past several years. Governmental units are filing bankruptcy. Stockton, California, a city of 300,000 is the most recent to fail. Other cities and states have obligations, especially pensions for public employees, that they have no discernible means of paying. The nation's most vibrant economy, the State of California, is a hopeless mess. So, the people that you and I elected to represent us, have led us down this path. Furthermore, we reelect them almost without exception to lead us over the edge of fiscal disaster that they have brought us to. Why do we do that to ourselves? Are term limits the answer? Seriously, I don't believe so. To me, term limits appear as a collective admission in which we throw up our hands and say, “We can't help ourselves. We just can't stop voting for the same cretins who have done this to us.” And, what if a good person gets into office? Term limits would force us to throw out the baby with the bathwater. How about public financing campaigns? Sure. There's something else we can't afford. But, why not. After all, who can resist a glitzy ad? Who can resist the siren call of a celebrity campaigning for a candidate? Regardless of who finances the campaigns, who is going to protect us from our own inability to look past the appeal of the verbal virtuosos who run for office and the intellectuals who they call on for advice? So, does all of this belie Suroweiki's hypothesis that there's wisdom in the crowd? I don't think so. Rather, it appears that we have been deluded by the seeming wisdom of intellectuals and surrendered our sovereignty to them. If you look back at another book I recommended in an earlier posting in this blog, Intellectuals and Society by Thomas Sowell, you'll learn how this has happened. We were misled into believing that the intellectuals have more and better information on which to base their decisions. As Professor Sowell puts it: “...intellectuals are so preoccupied with the notion that their own special knowledge exceeds the average special knowledge of millions of other people that they overlook the often far more consequential fact that their mundane knowledge is not even one-tenth of the total mundane knowledge of those millions.” Sowell is not anti-intellectual and neither am I. Sowell is commenting on those intellectuals who produce only ideas: Historians, journalists, philosophers, and the like. “Intellectuals are often extraordinary within their specialties – but so too are chess grandmasters, musical prodigies, and many others. The difference is that these other exceptional people seldom imagine that their extraordinary talents in a particular endeavor entitle them to judge, pontificate to, or direct a whole society.” The problems we suffer today have largely resulted from the fact that we have allowed the intellectuals to advise us in areas in which their expertise is no more special than ours.
Yes, intellectuals are uncommon “...that is, [they are] saying things that are different from what everyone else is saying.” However, as Sowell explains, “Beyond some point, being uncommon can mean indulging in pointless eccentricities or clever attempts to mock or shock. Politically, it can mean seeking dramatic ideological 'solutions' instead of prudent trade-offs.” It's time to get over them. Intellectuals have given us the world's greatest failures: Nazism, Fascism, and Communism, all attempts to insure equality of outcome. Intellectuals in America and other Western nations were among Hitler's and Mussolini's greatest supporters. Stalin, Mao, and Castro, too. Interestingly, some of history's greatest murderers. On the other hand, we have seen Americanism work. Liberty to rise or fall on our own merits has produced the wealthiest nation in history. Only under capitalism has a middle class come into existence and thrived. Well, at least it did until the intellectuals began "improving" it. But what about poverty? No one has spoken more forcefully than the community of intellectuals against poverty. Sowell observes, “Yet virtually none of the intellectuals who have been preoccupied with poverty for years has shown any real interest in the actual reduction of poverty through market mechanisms in China, India, or anywhere else. It did not happen in either the way they predicted or the way they preferred – so it was disregarded, as if it had not happened at all.” Sowell pounds on the message above all others. Intellectuals avoid facts that do not agree with or support their world view. Furthermore, intellectuals in the journalistic community hide these facts from the rest of us, helping to explain why we remain fascinated with intellectuals and the politicians who espouse their ideas. We must have faith in ourselves and our collective wisdom to make our own decisions. Millions of free men and women making millions of decisions every moment, decisions based on their own self-interest will correct the economy. We need to choose representatives to all elective offices who will return that power to us. We are collectively smarter than any individual. |
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