JACK'S BLOG
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5/2/2013 2 Comments What happens when a amateur attempts to emulate a professional? I'm still no Brad CrandallWritingI WROTE THIS blog posting more that a year ago and it still attracts interest. A couple readers have gone so far as to offer additional material and I want to share it with you (and with their permission). SHAKESPEARE WROTE THAT we are all actors on a stage. I can't disagree. However, I believe that he might have agreed that not all of us are equally good actors. I'm not referring to our goodness or badness in a moral or ethical sense. Rather, I am commenting on our ability to play a role that anyone else would pay to see. This lesson was driven home to me this week as I attempted to record myself reading a passage from my novel,Rebels on the Mountain, to produce a book trailer. During a previous life, when I was in the advertising and PR business, I had the opportunity to direct many commercials. This gave me the privilege of working with some fine talent. One of the best was a voice actor named Brad Crandall. Brad's farewell address on WNBC New York Radio Brad moved to Fort Collins, Colorado, where I was apprenticing at an ad agency, after wheedling out of his contract with NBC in New York. Brad had been a host on NBC's hugely successful Monitor that aired for 40 continuous hours every weekend. It was the forerunner of talk radio that dominates AM programming these days. It took me several years to sift through the various excuses that Brad gave for walking away from his lucrative contract. The truth is, I don't think that he felt that he deserved the success. Brad had been born into poverty. His father was a railroad conductor and the family lived in poverty near the tracks that stretched across Kansas. He outgrew their resources and quit school to join the Marines just as World War II was ending. Stationed in China, he was assigned to the Armed Forces Radio network and became an on air news reader. While there, Brad studied the voice of William Conrad who was then appearing as Marshall Matt Dillon on the radio production of Gunsmoke. Brad practiced emulating Conrad's magnificent baritone until it became his own voice. Upon completion of his tour of duty, Brad became a gypsy radio host. He hopped from one station to another across the country, pausing only to enlist for a brief tour of duty in the Army and serving in Korea. When the war there ended, Brad landed in a station in Montreal, Canada. He told me that he lived on peanut butter sandwiches and milk that he kept on the window ledge outside the radio station's studio. I never did find out where he slept. He worked there until producers at NBC heard him and invited him to New York. The poor boy from Kansas now found himself hobnobbing with famous personalities in the New York theater district. Their favorite eatery was Sardi's (I'm guessing that his caricature still hangs there among those of still famous personalities). He spoke of the antics of his Monitor co-hosts, Art Buchwald, Henry Morgan, Skitch Henderson, and others. One of my favorite tales is when the staff at Sardi's took revenge on one of their company. The man would always jokingly order a peanut butter sandwich in a voice that could be heard throughout the restaurant, and then quietly place his “real” order with the waiter after the “gang” had their laugh. One day, the waiter took off with the order before he could change it. Soon, an entourage emerged from the kitchen: two busboys pushing a cart with a huge carved-ice bear cradling fresh berries in its cupped paws; two others pushed another cart bearing a heated chafing dish; and a third contained a silver tray covered by a large silver dome. Four chefs followed the procession. Upon arrival at their table, one chef created preserves from the berries. Another took roasted peanuts from the heated chaffing dish and hand ground them using a mortar and pestle. The third sliced the bread. And, the fourth assembled his peanut butter and jelly sandwich. The waiter happily presented him with his very sizable bill. Brad's humble beginnings revealed themselves in his reactions to his fans. Jonathon Bush, a visitor to this website, shared the following postcard that his mother received from Brad. Jonathon wrote: Here are scans of both sides of the postcard Brad sent to my mom in 1968. As I think about this, my mom probably sent away for a picture/autograph at my urging. We listened pretty religiously, and I was a big fan--probably because I was able to stay up until the end of the show, which I think was midnight. Another reader, D. T. Nelson provided a link to a website where we can hear recordings of Brad's show from WNBC... You can hear your friend Brad Crandall (and many other broadcasting greats) here at the "Sounds of Monitor" page on the Monitor Beacon web site: You can read more comments by visiting the original blog posting "I'm no Brad Crandall" I know that Brad enjoyed his riches – to a point. Unfortunately, he never reconciled himself to such success without laboring for it. Much like Clark Gable, whose father never approved of “play-acting” as respectable work, Brad looked for other ways to make his life seem purposeful. Thus, I believe I became one of his many “projects.” He salvaged me from a disastrous marriage and sheltered me while I recovered. He then went so far as to arrange a meeting with the woman who became my wife (now married almost 36 years). Unfortunately, once I began achieving my own success, he went in search of other projects and we lost track of each other. Several years after his death, I heard that Howard Stern had honored Brad. Howard was asked who had influenced him as a role model in broadcasting and he mentioned Brad. Over the years that we were active friends, I employed Brad for many of my projects. “One-Take” Brad we called him. I only ever heard him flub a line once in many hours in the recording studio. I wish I could say the same. I suppose that I wouldn't be as critical had I not worked with a great talent like Brad. I needed nineteen takes to get an acceptable recording of myself reading a passage from my novel, Rebels on the Mountain. Even then, I cringe when I listen to it. I'm no Brad Crandall. Still, I feel that I have a better chance of connecting to my readers if I present myself, warts and all, reading my own work. Click here to hear me. OMG, I've lost sixty pounds since I recorded this trailer. I better redo it. There are also some vocal flubs I need to clean up. As I said, I'm no Brad Crandall...
2 Comments
5/4/2013 12:49:14 am
That was one of the wonderful mystiques of radio. We heard the voices, We knew the voices. For, for the most part, none of them ever had names, and only a few of them had faces I ever saw. But the old radio shows, which let my imagination play a vital role, are still better in memory than almost anything I've seen on television. When the squeaking door opened on "Inner Sanctum," my blood ran cold. It still does.
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Jack Durish
5/4/2013 04:52:32 am
Nothing equaled radio drama, especially for horror. I remember an interview with Orson Welles and Tom Snyder wherein Snyder asked the great actor of stage/screen/TV and radio, which was his favorite medium. Welles didn't hesitate answering: Radio. He liked that the audience participated by creating the visuals in their minds to match the narrative (and sound effects) on the broadcast.
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