JACK'S BLOG
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TelevisionONCE AGAIN WE see a “big” television show spending its production budget on everything but the script. Remember last year's Terra Nova? Competent actors, good premise, great special effects, all brought together by legendary producer Steven Spielberg. How could this fail after just one season? The answer is simple. Terrible scripting. Hobbled with poorly contrived conflict, mostly arising from stupid decisions by the characters (these people couldn't survive in a terrarium let alone in a world populated by ravenous theropods) each episode was worse than the one that preceded it. So, here we go again. I have my doubts as to whether or not Revolution will make it past one season. There are some who argue that big screen producers, directors, and actors don't translate well to the world of television. Live stages and movies required different storytelling and acting techniques. Emoting on stage comes across ham-handed in front of a camera. However, it's hard to see much difference between the techniques needed on the big screen as opposed to the television screen. Well, television is serialized and theatrical presentations are not.
No, I think that poor scripting is again the culprit. We are too hard pressed to suspend disbelief when characters make such bone-headed decisions and expect to survive in a hostile world. You need an example? Okay, one young man with one arrow in one crossbow attempts to face down a squad of militia armed with muskets. Sure, he's young and brash. But, seriously? I admit that I am at a disadvantage. I was trained as an infantry officer and I have special knowledge that helps me spot the flaws better than most. I cringe as the characters galumph around the countryside, moving always in the daylight, sauntering without concern along open paths without any concern for what might be lurking in the bushes or waiting around the next bend. Sure, you don't have to be explicit, but at least make some effort to make it believable, please. And please give those who survive some survival skills. Most of all, don't use the same hackneyed plot devices to create conflict week after week. Let's not have the spunky girl insist on having her way every time so that the hand of heroes finds themselves in one tight scrape after another. If I were one of them, I would have broken her neck after the first incident unless she promised to never open her mouth again. I don't care how pretty she is.
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ONE OF THE KEYS to a happy marriage is that you and your spouse share similar senses of humor. There is, after all, nothing more annoying than people laughing at jokes that you don't get. (I feel that way every time I've attempted to watch Saturday Night Live.) Now, my spouse and I share a very weird sense of humor and both of us were greatly entertained by the new ABC Sitcom, The Neighbors. The Neighbors obviously isn't for everyone. For example, the reviewers hated it. Fortunately, I don't pay attention to them. They often like shows with laugh tracks. I can't stand them. Nothing will induce me to switch the channel faster than a laugh track. So, if you like laugh tracks, The Neighbors probably isn't for you.
The Neighbors is about a family who moves into a community populated entirely of space aliens who are on a mission to observe earth. They forgot to bring the charger for their interstellar cell phone and have been out of communication with their home planet for ten years. The offspring of one of the alien families accidentally reveals himself in his true form to the humans. After the initial trauma wears off, the humans decide to help the aliens on their quest to learn more about earth. We must presume that future episodes will be built around their excursions into the popular culture surrounding their community. The aliens, for example, have never visited a shopping mall. The premier episode was laugh out loud funny, at least for my wife and I. We recommend it for anyone who shares our tastes in comedy. You can see the premiere episode in its full length on ABC.com. Television INVARIABLY, I AM drawn into a discussion of television from time to time. Some of my more snobbish friends refuse to have one in the house. Others can't seem to get enough of it. I've watched a fair share of it. We got our first black and white RCA console television with an eight inch screen in the late 1940s. That being said, I believe it has a place in my musings on history inasmuch as I have witnessed much of it as it revealed itself in its glowing lens in my lifetime. Although television was invented a few years before my birth, it didn't become popularly available until the mid-1940s. I remember my father bringing home that first television. I didn't understand anything about it, not even that it was going to display pictures somehow magically. It just looked like another piece of furniture when he first dragged it into our living room. I had to wait to find out. My father proceeded to completely disassemble it before it reached room temperature. My father was an inveterate tinkerer. He was working as the maintenance machinist at the Lever Brothers plant in Baltimore at the time. He had a native talent for repairing almost any kind of machine, frequently fabricating replacement parts from raw stock. Over the years he worked there he taught himself to become a journeyman welder, pipe fitter, and machinist. However, electronics were not in his wheelhouse. Although a very intelligent man, my father was not a scientist. He could not be dissuaded from an explanation once he had crafted it no matter how badly he missed the truth. He once explained radio to me as follows: Imagine, he said, a infinite string of “A's” in the air. When the radio station broadcasts a man saying “A” they are adding an “A” to the string and one at the other end “drops” off into our receiver. Yes, he actually said that. Thus, although he was able to completely disassemble that television and reassemble it to work, he derived no real understanding of its operation. Still, he was able to remove tubes regularly and replace one that had burnt out using the tube tester at the neighborhood pharmacy (any day of the week except Sunday – but that's another story). I can't remember much of what we watched in those days. I was five or six when we got the television. I'm pretty certain that my father bought it to watch boxing on the Gillette Cavalcade of Sports. He had escaped the coal mines of Pennsylvania as a professional prize fighter and never lost his love of the sport. He would sit on the front edge of his chair with his fists between him and the fighters on the screen, ducking and weaving, stopping only between rounds to refresh himself with beer and potato chips.
I believe that I was among the first fans of puppeteer Burr Tillstrom's Kuklapolitan Opera and Foodini the Great, a marionette magician. My first memorable brush with history on television came when I watched the 1953 coronation of Queen Elizabeth of England. I was just ten years old and yet remember it well. I remember the wonder of the technology used – a restored World War II P-50 Mustang fighter was used to fly the film from London to New York by way of Ireland and Greenland – so that we could watch the event just 12 hours after it occurred! No tape then. They flew raw film footage to the studios in New York and put it on the air as fast as they could develop and dry it. They were able to do a little crude editing as the show progressed. Interestingly, we were still watching tape delayed programming in Hawaii in the late 1960s. News broadcasts were flown in and aired daily, but regular programming, including sporting events, were aired a week later. We spent the week during football season avoiding sports pages in the newspapers so that we could enjoy the game without foreknowledge of the results. Of course, some wise guy would walk by just as we sat down with our beer and pretzels and comment on the outcome. To say that television has brought about a revolution in communications and entertainment would be a weak excuse for including it as a topic in this blog. However, it is valid to discuss its impact on American politics, especially its role in shaping public opinion during the Vietnam War as well as the War on Terror. |
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